Most historians recognise 1917 as the year in which the Harlem :: English Literature:

Most historians bang 1917 as the year in which the Harlem renaissance began. The Harlem reincarnation.Today most historians sleep together 1917 as the year in which the Harlemrenaissance began. Three events lead to this. archetypical was thepublication of two poems by Claude McKay. Second was the opening onBroadway of three plays about dark life by a white writer, RidgelyThomas. These plays were rummy not only because they wereperformed by black artists scarcely because they contained none of the accustomed racial stereotypes. Finally, on the 28th of July Harlemexperienced its first silent border when ten to fifteen thousandblacks marched down 5th Avenue to sound off against continued racialinequities.However the rich surge in African American arts and letters that tookplace around the 1920s was not limited to just Harlem, nor even toNew York City. Although, the intensity of the movement was in thatcity, and the sheer number of black writers, musicians, and scholarswho lived and worked in Harlem has ensured that it is linked with theera.To understand the Harlem Renaissance it is necessary to appreciateboth the changes that occurred within the African community and the cultural shifts that took place in American society as a self-coloured duringthe 1920s. For blacks the years during and after World War one wereones of increased militancy and racial pride.Phillip Randolph was struggling to organise black workers and anational semipolitical campaign was actively promoting federal antilynchinglegislation. Although white society did not take these politicalmovements particularly seriously, it did give considerable recognitionto the large number of black writers, musicians and scholars who wereemerging simultaneously. These figures being people like, CounteeCullen, James Weldon, Zora Neale Hurston, Wallace Thurman and JeanToomer. All lived in Harlem and Langston Hughes described the area asa great magnet for the negro intellectual, pulling him fromevery where. Yet Harlem was a magnet not only for blacks, but alsofor whites eager to experience for themselves the glamour and escapismthat its night-clubs seemed to promise. In many a(prenominal) ways Harlem became anational symbol of the Jazz Age, a sweep through antithesis of Main Streetand everything that the artists and cultural critics of the 1920srejected.Many Observers, black and white, hoped that this gush of literaryand artistic talent would help to ensure greater acceptance of blacksby American Society.