Essay on Portrait of the Artist as A Young Man and The Wall

The operative in Joyces A Portrait of the Artist as A Young Man and bug Floyds The W wholly Foragers, the volume who live in hunter-gatherer societies, have no workmans. It is only when society becomes mingled enough to support a division of labor do artists emerge-first as shamans, past as the painters, singers, writers, etc., that we usually think of today. Society, then, creates the artist, but it can in like manner destroy him. In A Portrait of the Artist as A Young Man, James Joyce describes the particular learning of Stephan Dedalus that led to his becoming an artist. Pinks development in Pink Floyds The Wall, mirrors that of Stephen yet concludes in the destruction of the artist. An important law of similarity between them is their isolation. Joyce believed that the separation from society is important for an artist in orderliness to see society clearly. Common people are easily swayed by authority figures, as Dante and other Irish Catholics are against Parnell by the churchs condemnation, or by other trendy movements such as the peace testimonial, all of which are rejected by Stephen in the end. When Stephen in his discourse on beauty describes the basket, he says your mind first of all separates the basket from the stay on of the visible universe which is not the basket. The first phase of apprehension is a take a hoping line drawn ab step to the fore the object to be apprehended (212). Thus, by extension, if an artist is to apprehend the society, a line must be bound around society separating the artist from it in order to view it it is ambitious in a maze of hedges to comprehend the pattern, but when viewed from above the paths in and out become clear. The artist must stand outside the changeful mindset of the average human being in orde... ...at make up the crowd or the eerie, bulbous faces on the train. Stephen fulfils his role as an artist by becoming a sort of teacher-shaman as he gives his discourses on esthetics to Lynch and pr epares to depart into the world, like some wandering monk or sage. Separate from society he is able to search out and convey the truth of society. Pinks isolation, however, utterly destroys him. Unable to endure, the wall is torn overpower by the hammer of conformity and Pink becomes the very personification of repressing society. If the role of the artist is to objectively show society the truth of itself, then Pink emerges an artwork in himself, an accurate mirror of the forces that shaped him. whole shebang Cited Joyce, James. A Portriat of the Artist as a Young Man. New York Penguin Books, 1976. Pink Floyd. The Wall. Sony Wonder Studios, 1982.